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In the process of documenting our precious marine environment, photographers need to be reminded that the reef is more valuable than their photographs, than anyone's photographs. Unfortunately, photographers are guilty of extensive reef damage, yet we are the one's who should be most sensitive to this. Pulverizing the reef for the sake of a picture cannot be tolerated. Unfortunately, as photographers concentrate on their pictures, they can lose track of their flippers. They cannot see their fins, and their fins do not have nerve endings. In trying to get that once-in-a-lifetime photo, they all too often destroy coral which will not regenerate in anyone's lifetime. There are ways to minimize, if not eliminate this damage, however.
There is one school of thought which maintains that divers should never touch the reef under any circumstances. Certainly this is a fine ideal and the intent must be applauded.. But it is probably not practical simply because even when trying not to touch the reef, many divers, preoccupied with their cameras, will inadvertently settle onto the reef. While trying to frame their subject, change f-stops and the like, their fins will be motoring away, trying to maintain the divers position for the photo. The result is torn-up reef, not to mention bad pictures. The flapping flippers also stir up sand and sediment, which, aside from ruining the photograph, settles onto coral. Like any other form of siltation, this can have a smothering affect on these delicate organisms. The "never touch" approach, while attractive in theory, may inadvertently lead to even greater damage than would otherwise occur.
The other school of thought might make more sense, at least based on years of observations. This school holds that it is better to touch the reef, but only touch it intelligently. In other words, the first thing a photographer should do after finding a subject, is to seek a secure "holdfast" on the reef. Such a holdfast might be a rock, a dead coral growth or anything quite sturdy and non-living, not covered with easily damaged marine life. After finding such an anchor point, the photographer can grasp this object with their free hand, or perhaps between their knees. The point is, once anchored, the divers legs and fins can remain absolutely motionless and limp. Reef damage is virtually eliminated. Adjustments to the photographer's position can be made quietly, without kicking coral or kicking up sediment. The photographs will be greatly improved and the reef will be saved. Everyone comes out a winner! But it must be stressed, such holdfasts need to be intelligently chosen. They are the most important aspect of any picture taking situation. And remember, even dead objects are home to living creatures. Nothing should be broken or abused.
Finally, all photographers should note that there are pictures underwater that were never meant to be taken. The surrounding reef might be so delicate as to not allow a photographer to make the shot without inflicting damage. So pass it by! It just isn't worth it! You will never enjoy the photograph anyhow if in your heart of hearts you know you wrecked the reef to obtain it. We pass up pictures all the time, yet we make our living with underwater photography, so pictures probably mean more to us than the guy off the street. If we can't portray the beauty of what we love without killing it, it just isn't worth it. |